Mystery Adventure Theatre

Neal Bohl

Neal Bohl grew up in a haunted house across the street from an airport. This explains a good deal. Most of the rest can be traced to finding a copy of Alan Moore's THE SAGA OF THE SWAMP THING in a bookstore clearance bin when he was ten or so.

The earliest thing he remembers is hatching from an egg on the lap of a giant rabbit. In the year 2000, he overdosed on Philip K. Dick and had a series of reality-redefining experiences which he is still trying to make sense of. The last couple of years have been a rough time for him, and, if things hold to form, he expects to be swallowed by a whale any day now.

He is currently writing episodes for Mystery Adventure Theatre, fine-tuning the website, recording voices for the show, remodelling his house, working in a comic book store, and occasionally sleeping. His future plans include a nice three-week-long coma.

Mark Haden Frazer

Mark Haden Frazer is the other co-plotter & head writer of MAT, the one they keep chained up in the attic. However, we will not speak of that again.

MHF has been a free-lance writer for the last 15+ years, having cranked out a variety of articles, reviews, short stories, essays & comics for a diverse cross-section of publishers, most of whom are now defunct. There is a lesson in that somewhere. His last two accomplishments of note: A weekly column about comics & pop culture that ran for over two years, and Gospel, a graphic novel for Marvel Comics that as of this writing, still remains unpublished.

If you had told me six months ago if I'd be working on a variation of old time radio drama & loving it, I probably would've held you upside down over a pit of starving, mutated kittens until you took that back. But the simple truth of it is - I do love it. MAT has an engaging cast of characters, all of whom are great fun to work on, especially Dr. Ward, who I could channel all day long with little or no effort.

MHF lives & works & raises mutated kittens in Raleigh, NC.

Susanne Hale

Susanne is an award-winning stage manager who has worked with community theatre in the Vancouver, BC, area since 2002. She has been the Stage Manager for such productions as It Runs in the Family; You Say Tomatoes; Madame Soupie and the Odyssey Murder; Moonlight and Valentino; Any Number Can Die and Guilty Conscience.

She won her second award for Stage Management (in as many years) for Caught in the Net, a British farce by Ray Cooney, after replacing the original stage manager two weeks before opening night.

Some of her strengths include being organized; being able to walk into a situation and take over as necessary; and making sure the cast adheres to the script. Because of her need to have her actors say the lines exactly as they are written in the script, she has developed little ways of explaining the lines to help them remember.

The greatest attribute a stage manager can have, however, is an ability to herd cats, because we all know that actors very rarely stay where they're put, and tend to wander about when they're not on-stage - and even when they are.

Michael Schultz

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John Steib

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